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Posts Tagged ‘theatre’

BABEL-O-DROME : la promenade immersive multilingue du collectif BUS 1.2.3.

Babel-o-drome est une pièce de théâtre déambulatoire qui vous promène de scène en scène explorant la relation entre langage, identité et communication.

Au cœur de la pièce, la question centrale se pose: quelle est notre propre réalité dans ce monde actuel, où fiction et réalité s’entrechoquent?

Ce spectacle participatif aborde la question en combinant poésie, humour et fantaisie afin de créer un événement théâtral et choral unique.

Au plaisir de vous voir à Babel-o-drome!

Babel-o-drome is a play that takes you on a fantastical walk through scenes exploring the relationship between language, identity and communication.

The core of the piece asks the pivotal question: what is our own reality in today’s world where fiction and reality collide?

This participatory show tackles the question by combining poetry, humour and fantasy to create a unique theatrical and choral event.

Looking forward to seeing you at Babel-o-drome!

Volunteers/Bénévoles :

The collectif bus123 is looking for volunteers to help with the show.”

Information diffusée par Collectif Bus 1.2.3, Crédits affiche: Collectif Bus 1.2.3
Lire le profil de Collectif Bus 1.2.3 dans notre répertoire et carte de l’art communautaire au Canada

New Beginnings: A Community-Collaboration (Sarasvàti Productions, Winnipeg)

May 22-27, 2018
Asper Centre for Theatre and Film
$15 – $20
204-586-2236 │

“After two years of work, it is hard to believe that in two weeks we will finally be able to share this amazing compilation of theatre, music, dance, film, visual art and storytelling with audiences. Not only are we sharing stories from those who have resettled in Winnipeg, but many of our artists are newcomers themselves making this show a powerful way to welcome them to the performing arts community.

“I am an immigrant who came to Canada. I understand how hard it is to fit in and how you have to leave everything behind and start a new beginning.” Jonathan Chipalata, Performer

Our May 23rd matinee is already sold out, so be sure to get your tickets so you don’t miss out on this unique event.

We have been working hard to make the show accessible to everyone; with advance notice translation, child-minding and transportation is available. Please let us know two weeks’ prior to the show date if you need assistance with any of the above. Our May 25th performance will also offer ASL interpretation. If you want to support community involvement, please consider buying an extra ticket to donate to someone who wouldn’t otherwise be able to join us.

Our goal to build community will also expand beyond the stage! Audiences can join us for feasts on May 26th and 27th with food from Viena do Castelo, Safeway Mountain & McGregor, Gohe Ethiopian Restaurant and Baraka Pita Bakery & Restaurant. We are also honoured to welcome speakers with lived experience, guests from resettlement organizations and community advocates who have kindly offered their time to join us for post-show conversation circles. This is an opportunity to engage in dialogue, share experiences and responses to the play, as well as to ask questions. We know this will keep the conversation going long after people leave the theatre. Plus there will be stunning visual art by newcomers on exhibit outside the theatre.

Check out our preview video or visit our blog for all the latest updates and artist features. Feel free to call us at 204-586-2236 for more information or group bookings.

For more information on the lineup visit

-from Sarasvàti Productions press release
Read Sarasvàti Productions’ profile in ArtBridges’ Community-Engaged Arts Directory and Map

Profile Highlight: Green Light Arts

As ArtBridges’ Community-Engaged Arts Directory grows, we realize that it’s a bit overwhelming to read through all of the profiles. We’re hoping that by occasionally highlighting some profiles on our blog, you may learn about an initiative that you may not have initially seen in the directory. Also, if you know of a Canadian community-engaged arts for social change initiative that isn’t in our directory, but should be, please let us know! We love and need your input/feedback in building this resource! -Lisa, Content Coordinator at ArtBridges.

Green Light Arts is a not-for-profit theatre company based in Waterloo Region. We produce bold, contemporary, provocative theatrical productions in traditional and non-traditional spaces; we run arts education programming for youth; as well as connect to our community through outreach and engagement events that seek to inspire people into action and make the world a better place.”

To read more about Green Light Arts, please see their profile in ArtBridges’ Community-Engaged Arts Directory and Map

‘Weaving Reconciliation: Our Way’ Tour (Vancouver Moving Theatre)

“It’s finally happening!! After many years of listening, writing, visiting partnering communities and fundraising Weaving Reconciliation: Our Way is now ready to tour across Turtle Island/Canada.

And it’s starting on Coast Salish territory at the Vancouver Aboriginal Friendship Centre May 17-27, 2018.

Weaving Reconciliation: Our Way is a new play and cultural encounter that brings to life the story of Old One and his journey to reconcile with himself, his family and his community.

Woven around indigenous storytelling and cultural teachings, Weaving Reconciliation: Our Way is co-written by award-winning artists Renae Morriseau (Saulteaux Cree) with Rosemary Georgeson (Coast Salish/Sahtu Dene) and Savannah Walling (American Canadian). It is also enriched by contributions from the cast, knowledge-keepers and partnering communities.

Click on the video link above to watch Renae, Savannah and cast members talk about what this project means to them!

Although we are well on our way to production, we are still raising funds for a few select, yet vital aspects to the project like food for cultural gatherings, mentorship fees for youth, and ceremonial gifts for each community we visit along the tour: donation page.”

-from Vancouver Moving Theatre newsletter

I am Unstoppable – International Women’s Week Cabaret of Monologues (Sarasvàti Productions, Winnipeg)

Sarasvàti Productions presents
I am Unstoppable – International Women’s Week Cabaret of Monologues

Sarasvàti Productions will again be producing and taking to the community our cabaret of monologues to celebrate International Women’s Week. This year’s theme is I Am Unstoppable, as we tackle obstacles, conquering challenges and living life to the fullest. The evening will offer a diverse line-up of monologues by Canadian playwrights as well as performance pieces. Our goal is to honour women by telling their stories and to explore multiple perspectives to represent the scope of women’s experiences. ASL Interpretation will be available for the evening performance.

IWW will take place on March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film (at U of W, 400 Colony Street)

Tickets $15 (plus $2.50 for on-line purchases) or cash at the door

There will also be additional community performances available from March 4th to 11th

Please Note: Adult Language and Content

For more information on the lineup visit

-from Sarasvàti Productions press release
Read Sarasvàti Productions’ profile in ArtBridges’ Community-Engaged Arts Directory and Map.

Workshop: Introduction to Storytelling and Acting (GeriActors, Edmonton)

“NEW GeriActors Workshop: Introduction to Storytelling and Acting (Spring Session)

If you’ve EVER acted or NEVER acted, this is the program for you!

Join the fun!

Turn your stories into plays
Learn about acting
Create dynamic characters
Perform (if you want to)
If you participated in GeriActors SUMMER SCHOOL this workshop is a continuation of what you learned. We would love to see you there!

Fridays from 3:00 – 5:00pm
March 2 – May 11
No session on March 30 for Good Friday

The SAGE Seniors Association
15 Sir Winston Churchill Square
SAGE is wheelchair accessible and all abilities are welcome

$40 per person or pay-what-you-can
Register in person at SAGE or call 780-423-5510

GeriActors has been turning stories into plays for the last 17 years. For more information on GeriActors Theatre visit our website:

-submitted by GeriActors Theatre
Read GeriActors’ profile in ArtBridges’ Community-Engaged Arts Directory and Map

šxʷʔam̓ət (home) BC & Alberta Tour (Theatre For Living)

“The BC/Alberta tour of šxʷʔam̓ət (home) launched on January 17th in Chilliwack and continues until March 10th!

For tickets and information about the tour, visit our tour itinerary page on our website here.

We are very excited to be touring šxʷʔam̓ət (home) into 21 communities across BC and Alberta and then returning home for 9 final performances at the Firehall Arts Centre in Vancouver. Why tour?

First, šxʷʔam̓ət (home) is terrific theatre. The public response to this project was very powerful. We played to 91% houses and started getting invitations from communities while we were still doing the first run in March of 2017. We also feel that šxʷʔam̓ət (home) asks very important questions about how we navigate Reconciliation between Indigenous and non-Indigenous communities in Canada in true and honourable ways that do not replicate colonial ways of the past and present.

If you are in or near any of the 21 BC/Alberta communities we are visiting, or in Vancouver, please join us. Detailed information can be found here.”

-from Theatre for Living’s website
Read Theatre For Living’s profile in ArtBridges’ Community-Engaged Arts Directory and Map

Resource Highlight | Returning Home Through Stories: A Decolonizing Approach to Omushkego Cree Theatre through the Methodological Practices of Native Performance Culture (NPC)

Returning Home Through Stories: A Decolonizing Approach to Omushkego Cree Theatre through the Methodological Practices of Native Performance Culture (NPC)
University of Toronto, T-Space | ON | 2010
Candace Brunette

“This research examines Native Performance Culture (NPC), a unique practice in Native theatre that returns Aboriginal people to the sources of Aboriginal knowledge, and interrupts the colonial fragmenting processes. By looking at the experiences of six collaborators involved in a specific art project, the artist-researcher shares her journey of healing through the arts, while interweaving the voices of artistic collaborators Monique Mojica, Floyd Favel, and Erika Iserhoff. This study takes a decolonizing framework, and places NPC as a form of Indigenous research while illuminating the methodological discourses of NPC, which are rooted in an inter-dialogue between self-in-relation to family, community, land, and embodied legacies. Finally, this research looks at the ways that artists work with Aboriginal communities and with Aboriginal knowledge, and makes recommendations to improve collaborative approaches.”

Click on the ArtBridges Resource Portal listing for more details.

Profile Highlight: Obsidian Theatre Company (Toronto)

As ArtBridges’ Community-Engaged Arts Directory grows, we realize that it’s a bit overwhelming to read through all of the profiles. We’re hoping that by occasionally highlighting some profiles on our blog, you may learn about an initiative that you may not have initially seen in the directory. Also, if you know of a Canadian community-engaged arts for social change initiative that isn’t in our directory, but should be, please let us know! We love and need your input/feedback in building this resource! -Lisa, Content Coordinator at ArtBridges.

Obsidian is Canada’s leading culturally specific theatre company. Our threefold mission is to produce plays, to develop playwrights and to train emerging theatre professionals. Obsidian is passionately dedicated to the exploration, development, and production of the Black voice.

Obsidian produces plays from a world-wide canon focusing primarily, but not exclusively, on the works of highly acclaimed Black playwrights. Obsidian provides artistic support, promoting the development of work by Black theatre makers and offering training opportunities through mentoring and apprenticeship programs for emerging Black artists. ”

To read more about Obsidian Theatre Company, please see their profile in ArtBridges’ Community-Engaged Arts Directory and Map

Festival: 30th annual Weesageechak Begins to Dance (Native Earth Performing Arts)

“Recognized as a leader in creation of Indigenous performing arts, Native Earth Performing Arts celebrates its 35th anniversary as the professional Indigenous theatre company on Turtle Island. This November, Native Earth will welcome back familiar faces and introduces emerging creators from across Turtle Island and beyond for its 30th annual Weesageechak Begins to Dance. Showcasing new works and works-in-development in theatre, dance, music and multi-disciplinary performance work, Weesageechak 30 will run from November 15th to 25th, 2017 at Aki Studio.

This year’s festival opens with a workshop preview of Vancouver Moving Theatre’s Weaving Reconciliation, presented in partnership with Jumblies Theatre, which will return to Aki Studio for its premiere in June 2018. Weaving theatre with Indigenous cultural practices and lived experience, this multi-disciplinary production is created by an award-winning team of director Renae Morriseau (Cree Saulteaux), Rosemary Georgeson (Coast Salish/Dene Sahtu) and Savannah Walling.

The first week is filled with works by familiar creators, including Bury by Alanis King (Odawa) which is an ode to the reclamation of the Anishinaabe language and celebration of the resilience of those who have lived through the residential school system. Whale Killer by the award-winning Saskatchewan playwright and director Kenneth Williams (Cree) which explores unanswered questions about a murder of an RCMP officer in Cape Dorset. Starlight Journey by Josh Languedoc (Saugeen First Nation) depicts an incredible journey of a family seeking answers to their young son’s mysterious death.

Emerging playwright and the 2017 Winnipeg Arts Council RBC On the Rise award winner Frances Koncan (Anishinaabe) returns with a new work, Riot Resist Revolt Repeat which is inspired by recent events concerning pipelines and their environmental impact. Rounding out the first week, multi-disciplinary artists and Dora-nominated Spy Dénommé-Welch (Algonquin) and Catherine Magowan of An Indie(n) Rights Reserve return with HATE MAIL and Irreconcilable Trolls, a piece that explores people who hide behind fake usernames, spoofed emails and anonymous comment boards which is presented as a sonata with contrabassoon and piano.

Native Earth hosts Australia’s Moogahlin Performing Arts for a second year with a reading of The Weekend by Henrietta Baird (Kuku Yalanji/Yidinji). The play follows a young Sydney mother traversing the world of public housing, drug dealing with the threat of losing her children, taking the audience on an emotional ride of laughter and hope, love and loss.

This festival also features works-in-development by emerging artists, including White Noise, a comedy on racial commentary by Taran Kootenhayoo (Denesuline/Nakoda Sioux); Bad Indian, a humorous storytelling on Indigenous/Canadian identity politics by Brefny Caribou (Cree/Irish); and The Last Dance, a piece dedicated to Missing and Murdered Indigenous Women by Yvonne Wallace (Interior Salish).

Weesageechak 30 kicks off its second week with a two-evening special featuring the Animikiig Training Program. Works include, link, a warrior dance piece by dancer/choreographer Aria Evans (Mi’kmaq/African/settler heritage), Ruby Comfort, an opera-in-development by opera librettist Ian Cusson (Métis/French Canadian), and Survivance, a powerful story of three generations of women by Sarah Gartshore (Ojibwe). The second evening showcases Ursa Majoris, a love story with music and puppets by Celeste Sansregret (Métis), and Lonecloud, a musical dedicated to the first Mi’kmaq Ethnographer by the late Cathy Elliott (Mi’kmaq/Irish/Acadian).

Continuing the celebration of Indigenous dance, Olivia Shortt (Anishinaabe/Irish) collaborates with dancer/choreographer Kathleen Legassick for Echoes which shares a personal reflection on discovering one’s genealogy. Coming from Flin Flon, Manitoba, Kristy Janvier (Dene/Irish/Ukrainian) will take us on a journey through environmental decay in Forest Floor.

Two Native Earth veterans mark the closing of Weesageechak 30. Native Earth welcomes back former Artistic Director (2011-2013) Tara Beagan (Ntlaka’pamux/Irish), the Dora-nominated playwright, and Dora and Betty-nominated actor to present the sister piece to Native Earth’s 2013 presentation, In Spirit. Beagan’s Deer Woman tells the story of a sister left behind – a warrior woman work of righteous vengeance. Following Native Earth’s 2015 presentation of God and The Indian, the Jessie-nominated actor and multi-hypenate theatre artist Lisa Ravensbergen (Ojibwe/Swampy Cree/English/Irish) returns to Aki Studio with The Seventh Fire. Filmic in nature and mythic in proportion, her piece shares the story of a woman’s return to the Ojibwe community which she believes has rejected her.

Native Earth in partnership with Buddies in Bad Times Theatre proudly presents 2-Spirit Cabaret. Curated and hosted by Michaela Washburn (Cree/English/Irish/French), the cabaret includes a talented line-up of 2-Spirit, Trans and Queer-identified Indigenous artists from across Canada, including Gwen Benaway, Cherish Blood, Ryan Cunningham, Waawaate Fobister,Greyson Gritt, Lacey Hill, Michelle Latimer, Smith Purdy, Brian Solomon and other special guests. In addition, the Professional Development Series returns with a full roster of workshops, panels and training opportunities.


Evening Tickets: $15
Festival Pass: $60

Aki Studio | Daniels Spectrum
585 Dundas Street East
Box Office: 416-531-1402 or

Native Earth Performing Arts is Canada’s oldest professional Indigenous theatre company. Currently in our 34th year, we are dedicated to creating, developing and producing professional artistic expressions of the Indigenous experience in Canada. Through stage productions (theatre, dance and multi-disciplinary art), new script development, apprenticeships and internships, Native Earth seeks to fulfill a community of artistic visions. It is a vision that is inclusive and reflective of the artistic directions of members of the Indigenous community who actively participate in the arts.”

-from Native Earth Performing Arts
Read Native Earth Performing Arts’ profile in ArtBridges’ Community-Engaged Arts Directory and Map