{"id":25782,"date":"2021-05-26T06:38:42","date_gmt":"2021-05-26T10:38:42","guid":{"rendered":"http:\/\/artbridgesblog.ca\/en\/?p=25782"},"modified":"2021-05-26T06:38:42","modified_gmt":"2021-05-26T10:38:42","slug":"artbridges-sixth-annual-recognition-awards","status":"publish","type":"post","link":"https:\/\/artbridges.ca\/fr\/artbridges-sixth-annual-recognition-awards\/","title":{"rendered":"ArtBridges’ Sixth Annual Recognition Awards \/ Prix honorifiques d\u2019ArtBridges\/ToileDesArts, 6e \u00e9dition"},"content":{"rendered":"\n
\"ArtBridges\/ToileDesArts<\/a><\/figure>\n\n\n\n

(La version fran\u00e7aise suivra)<\/em><\/p>\n\n\n\n

We are pleased to announce the recipients of
ArtBridges’ Sixth Annual Recognition Awards!<\/strong>
The awards highlight remarkable work in community-engaged arts in Canada in three categories: Innovation! Resiliency! and Creativity!<\/strong><\/p>\n\n\n\n

The awards process:<\/strong> In late 2020, we put out a call for community-engaged arts initiatives, community partners, and ArtBridges Member initiatives to participate in award nominations. We asked for submissions that highlighted stories of innovation, resiliency, and creativity during these unbelievably challenging and unprecedented times. Our hope is that these stories may be an inspiration. Perhaps new connections will be made, ideas spawned and amplified, and support generated. As clearly demonstrated in the 54 incredible nominations, amazing work continues to happen in this field\u2014despite everything, because of everything! The awards jury was composed of three active leaders in community arts in Canada from Dartmouth (NS), Leamington (ON), and Toronto (ON). The recipient organizations receive a certificate and an award of $300. The Awards are generously sponsored by the Ruth Mandel \u2013 WHO GIVES FUND. Thank you to all who shared your incredible stories. Bravo!<\/p>\n\n\n\n

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Remarkable Innovation<\/h2>\n\n\n\n

Silver Scenes Film Festival<\/a><\/strong><\/p>\n\n\n\n

\u00ab\u00a094 year old Toronto resident, Sylvia Lustgarten was concerned about the negative effects of ageism in our society and on the community of older people that is steadily growing in age and number. The appearance of COVID-19 has only made this more acute. As a way of fighting this problem, and working toward a more age-friendly world, she conceived the Silver Scenes Film Festival to present the older person in all their complexity, to raise awareness and promote discussion among people of all ages, and encourage our elders to engage in filmmaking ant activism on their own behalf.<\/p>\n\n\n\n

A multi-generational, multi-disciplinary group was assembled to build an on-line film festival which would include screenings of films with older people in front of, and behind the camera, as well as interviews and panel discussions on the issues raised by the films. Participants in the development ranged from high school students to senior citizens, researchers in gerontology to experienced professionals in the arts\/culture sector.<\/p>\n\n\n\n

In a relatively short time, the festival was created. Publicity and outreach included connections with a wide range of community organizations, such as Harbourfront and The National Film Board. Media coverage included an article in the Globe and mail, and an interview on CBC radio\u2019s \u201cHere and Now\u201d.<\/p>\n\n\n\n

The team created the infrastructure to manage and deliver screenings and live on-line discussions, on multiple software platforms. All events were delivered for free to the public. Financial considerations and licensing issues meant that the number of viewers needed to be capped at 300 per event, yet more than 1,600 people participated in the online events, both as film viewers and participants in panel discussions. 
Feedback was very enthusiastic. The audience was wide-ranging: Students of film, Students of Aging (Ryerson, UofT, Sheridan), indigenous groups, members of the 519 Church Community, and residents of retirement homes.<\/p>\n\n\n\n

The board of the Festival is committed to making the festival an ongoing process, with more events and projects in the future, finding ways to use the medium of film to foster inter-generational discussion and film making projects to build a more age-friendly society. See our website at\u00a0Silverscenes.org<\/a>.\u00a0\u00bb<\/p>\n\n\n\n

– submitted by Abba Lustgarten<\/em><\/p>\n\n\n\n

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Remarkable Creativity<\/h2>\n\n\n\n

Indigenous Women’s Augmented Mural Series<\/a><\/strong><\/p>\n\n\n\n

\u00ab\u00a0A group of 10 Indigenous young women ages 15 to 21 years old participated in the creation of three murals that focused: gender-based violence, democratic participation, and workplace barriers. These murals were created over the course of several months with Elders, knowledge keepers and community members creating learnings and inspiring art.\u00a0

The young Indigenous women were inspired by mixed medium artwork and used hide, digital artwork and fabric to create three distinct murals that have a strong Indigenous worldview. Each of the three murals also tell a story through the use of Augmented Reality.\u00a0

Augmented Reality (AR) is a digital component linked to a real life coordinate, space or image, most people think of Pok\u00e9mon Go. In the case of this project, when you scan over the mural utilizing USAY’s AR app, they come to life and have much more additional content.\u00a0

The first mural, Women’s Count, is based on a traditional winter count which were created by communities to mark a singular event that would represent that year. The women were inspired to rethink that process and develop symbols to tell the story of voting rights and encourage increased numbers of Indigenous voters. When combined with AR you can hear one of the artists tell the history and a song that was provided to us by the Knowledge Keeper.

The second mural, Barrier Breakers, is a comic style digital artwork of the young women artists which shows how the world sees them, in black and white and without aspirations, however when combined with AR it shows a brick wall which must be broken down to show their true workplace potential.

The third mural, Vulnerable to Valuable, is three ribbon skirts. The largest one shows the highway of tears in which many Indigenous women have gone missing. The medium skirt shows the red hand movement to draw attention to the activism that is ongoing to honour them and to have a call to action. The smallest skirt shows the buffalo, a symbol of young women embracing their culture and no longer having to protest or worry about violence.\u00a0

These murals come together in a series that we entitled, the Indigenous Women’s Augmented Mural Series. The murals are currently placed throughout the City of Calgary in the Calgary Police Headquarters, Inn From the Cold, and Forest Lawn High School.\u00a0

You can see the murals and the AR components by clicking on this link:\u00a0https:\/\/usay.ca\/augmented-reality\/<\/a>\u00ab\u00a0<\/p>\n\n\n\n

– submitted by LeeAnne Ireland<\/em><\/p>\n\n\n\n

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Remarkable Resiliency<\/h2>\n\n\n\n

The Way Up Collective<\/a><\/p>\n\n\n\n

\u00ab\u00a0This Way Up Collective was founded by emerging artists and homeless queer and trans youth of colour amidst the pandemic. Their original intention with this initiative was to aid QTBIPOC youth in Toronto shelters and other forms of precarious housing through creative means. Given that the collective members all have been or are currently a part of the shelter system, they thought this would be the best focus of their efforts. However, as they grew they expanded their mandate to also serve children, youth and adults experiencing homelessness. Throughout all of this, the Collective has maintained a focus on prioritizing Black, Indigenous, People of Colour who identify as part of the LGBTQIA2S+ community.<\/p>\n\n\n\n

For This Way Up Collective community consultation and collaboration has been key to ensuring that they are engaging the communities they seek to support through appropriate and productive ways. This Way Up has partnered with the Toronto Encampment Support Network (ESN) to provide weekly hot meals and arts-based programming to encampment residents for the past many months as a pandemic support response. Through this collaboration, This Way Up has served over 2000 hot meals and counting. They also provided ongoing participant-led art circles in drawing, painting, beading, and henna tattooing with free materials, skill-sharing and supportive space for young encampment members to be creative together. These youth have been providing resources for some of the most vulnerable communities in Toronto at a time when it is incredibly risky to gather. And they have chosen to do this through creativity. Producing beautiful fresh meals and making space for regular artistic expression, seeing this as a basic human right alongside food security and safe housing. The Collective intends to continue its work into the winter and will continue to organize within Toronto\u2019s movements for social justice.<\/p>\n\n\n\n

They embody great resiliency as artists on the margins with lived experience of homelessness transforming their situations through the arts. They embody the resiliency of poor, racialized & queer peoples organizing together even amidst unimaginable circumstances and personal risk. And they reflect remarkable resilience in their insistence that all should have access to the arts and creativity, now more than ever. \u00ab\u00a0<\/p>\n\n\n\n

https:\/\/www.thiswayup.ca\/<\/a>
https:\/\/www.facebook.com\/ThisWayUpCollective\/<\/a>
https:\/\/www.instagram.com\/thiswayupcollective\/<\/a>
https:\/\/nowtoronto.com\/food-and-drink\/toronto-food-banks-winter-challenges-2020<\/a><\/p>\n\n\n\n

– submitted by This Way Up Collective<\/em><\/p>\n\n\n\n

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\"ArtBridges\/ToileDesArts<\/a><\/figure><\/div>\n\n\n\n

C\u2019est avec plaisir que nous vous pr\u00e9sentons aujourd\u2019hui les laur\u00e9ats des
Prix honorifiques d\u2019ArtBridges\/ToileDesArts, 6e \u00e9dition!<\/strong>
Ces prix soulignent un travail remarquable r\u00e9alis\u00e9 avec l\u2019art en milieu communautaire dans trois cat\u00e9gories : Innovation, R\u00e9silience et Cr\u00e9ativit\u00e9.<\/strong><\/p>\n\n\n\n

Le processus de ce concours :<\/strong> \u00e0 la fin de 2020, nous avons invit\u00e9 les personnes et organismes qui travaillent avec l\u2019art en milieu communautaire ainsi que les membres de ToileDesArts\/Artbridges \u00e0 proposer des candidatures. Nous recherchions des histoires d\u2019innovation, de r\u00e9silience et de cr\u00e9ativit\u00e9 en cette p\u00e9riode in\u00e9dite et tr\u00e8s difficile, dans l\u2019espoir qu\u2019elles servent d\u2019inspiration et de soutien, et qu\u2019elles permettent \u00e0 de nouvelles relations de se nouer, \u00e0 de nouvelles id\u00e9es de germer et de fleurir. Comme le d\u00e9montrent clairement les 54 incroyables candidatures que nous avons re\u00e7ues, un travail extraordinaire continue d\u2019\u00eatre accompli en art communautaire \u2013 malgr\u00e9 ou \u00e0 cause des terribles circonstances que nous vivons! Le jury \u00e9tait compos\u00e9 de trois personnes activement impliqu\u00e9es dans le milieu au Canada \u00e0 Darmouth (N-\u00c9), Leamington (ON) et Toronto (ON). Les laur\u00e9ats recevront un certificat et un prix de 300 $. Les prix honorifiques d\u2019ArtBridges\/ToilesDesArts sont g\u00e9n\u00e9reusement commandit\u00e9s par le Ruth Mandel \u2013 WHO GIVES FUND. Merci \u00e0 tous ceux et celles qui nous ont transmis leur extraordinaire histoire! Bravo!<\/p>\n\n\n\n

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Innovation remarquable<\/h2>\n\n\n\n

Festival de films Silver Scenes<\/a><\/strong><\/p>\n\n\n\n

\u00ab\u00a0Une r\u00e9sidente de Toronto \u00e2g\u00e9e de 94\u00a0ans, Sylvia Lustgarten, s\u2019inqui\u00e9tait des effets n\u00e9gatifs de l\u2019\u00e2gisme dans notre soci\u00e9t\u00e9 et sur la population \u00e2g\u00e9e qui continue de vieillir et de grandir en nombre. Pour lutter contre ce probl\u00e8me exacerb\u00e9 par l\u2019apparition de la COVID-19 et contribuer \u00e0 cr\u00e9er un monde plus accueillant envers les personnes \u00e2g\u00e9es, Madame Lustgarden a eu l\u2019id\u00e9e de cr\u00e9er Silver Scenes,un festival de films qui montrerait les a\u00een\u00e9s dans toute leur complexit\u00e9 afin de sensibiliser la population et d\u2019ouvrir la discussion avec des personnes de tous \u00e2ges, tout en encourageant les personnes \u00e2g\u00e9es \u00e0 prendre la parole par la cr\u00e9ation cin\u00e9matographique et le militantisme.<\/p>\n\n\n\n

Elle a rassembl\u00e9 un groupe multig\u00e9n\u00e9rationnel et multidisciplinaire pour organiser un festival de films en ligne dont la programmation pr\u00e9senterait des films sur les a\u00een\u00e9s et produits par des a\u00een\u00e9s ainsi que des entrevues et des panels de discussion sur les th\u00e8mes abord\u00e9s. Le projet a regroup\u00e9 tant des \u00e9l\u00e8ves du secondaire que des personnes \u00e2g\u00e9es, des chercheurs en g\u00e9rontologie et des professionnels d\u2019exp\u00e9rience du milieu des arts et de la culture.<\/p>\n\n\n\n

En relativement peu de temps, le festival a \u00e9t\u00e9 organis\u00e9. La diffusion de l\u2019\u00e9v\u00e9nement a \u00e9t\u00e9 faite gr\u00e2ce \u00e0 des contacts dans un grand nombre d\u2019organismes communautaires, y compris Harbourfront et l\u2019Office national du film du Canada. Un article dans le Globe and Mail <\/em>et une entrevue \u00e0 l\u2019\u00e9mission Here and Now <\/em>de la cha\u00eene anglaise de Radio-Canada ont aid\u00e9 \u00e0 faire conna\u00eetre l\u2019\u00e9v\u00e9nement.<\/p>\n\n\n\n

L\u2019\u00e9quipe a cr\u00e9\u00e9 l\u2019infrastructure pour g\u00e9rer et offrir les projections et les discussions en direct en utilisant diff\u00e9rentes plateformes. Tout \u00e9tait offert gratuitement au public. Pour des raisons financi\u00e8res et li\u00e9es aux droits de diffusion, le nombre de spectateurs devait \u00eatre limit\u00e9 \u00e0 300 personnes par \u00e9v\u00e9nement; malgr\u00e9 cela, plus de 1600 personnes ont particip\u00e9 au festival tant lors des projections que des discussions.<\/p>\n\n\n\n

Le festival a re\u00e7u un accueil tr\u00e8s enthousiasm\u00e9 de la part d\u2019un public vari\u00e9 : \u00e9tudiants en cin\u00e9ma comme en g\u00e9rontologie (des universit\u00e9s Ryerson, UofT et Sheridan), groupes autochtones, membres de la 519 Church Community et personnes vivant dans des r\u00e9sidences pour a\u00een\u00e9s.<\/p>\n\n\n\n

Le conseil d\u2019administration du festival a bien l\u2019intention de poursuivre cette aventure avec d\u2019autres \u00e9v\u00e9nements et projets qui utilisent le cin\u00e9ma comme moyen de provoquer des discussions interg\u00e9n\u00e9rationnelles dans le but de cr\u00e9er un monde plus accueillant envers les a\u00een\u00e9s. Visitez le site Web du projet\u00a0: Silverscenes.org<\/u><\/a>\u00ab\u00a0<\/p>\n\n\n\n

– soumis par Abba Lustgarten<\/em><\/p>\n\n\n\n

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Cr\u00e9ativit\u00e9 remarquable<\/h2>\n\n\n\n

La s\u00e9rie de murales \u00ab Femmes autochtones augment\u00e9es \u00bb<\/a><\/strong><\/p>\n\n\n\n

\u00ab\u00a0Un groupe de dix femmes autochtones de 15 \u00e0 21\u00a0ans a particip\u00e9 \u00e0 la cr\u00e9ation de trois murales abordant les th\u00e8mes de la violence genr\u00e9e, de la participation d\u00e9mocratique et des obstacles \u00e0 acc\u00e9der au milieu du travail. Elles ont \u00e9t\u00e9 cr\u00e9\u00e9es sur plusieurs mois en collaboration avec des personnes a\u00een\u00e9es, gardiennes du savoir, et des membres de la communaut\u00e9.

Inspir\u00e9es par des \u0153uvres de techniques mixtes, les jeunes femmes autochtones ont utilis\u00e9 des peaux, des illustrations num\u00e9riques et du tissu pour cr\u00e9er ces trois murales illustrant puissamment une vision du monde autochtone. Chacune raconte par ailleurs une histoire par l\u2019entremise de la r\u00e9alit\u00e9 augment\u00e9e.<\/p>\n\n\n\n

La r\u00e9alit\u00e9 augment\u00e9e (RA) ajoute \u00e0 un lieu ou une image physiquement pr\u00e9sente une composante virtuelle (plusieurs connaissent Pok\u00e9mon Go qui utilise la RA). Dans ce projet, on peut scanner la murale gr\u00e2ce \u00e0 l\u2019application USAY, qui leur donne vie en proposant du contenu additionnel.<\/p>\n\n\n\n

La premi\u00e8re murale, Women’s Count <\/em>(Le vote des femmes<\/em>), s\u2019inspire de la pratique traditionnelle consistant \u00e0 illustrer sur une peau d\u2019animal un \u00e9v\u00e9nement particulier qui pourrait repr\u00e9senter l\u2019ann\u00e9e en cours. Les jeunes femmes ont eu envie de revisiter ce processus et de cr\u00e9er des symboles racontant l\u2019histoire du droit de vote afin d\u2019encourager les Autochtones \u00e0 voter. Gr\u00e2ce \u00e0 l\u2019application de RA, on peut entendre cette histoire racont\u00e9e par une des artistes ainsi qu\u2019une chanson fournie par une personne gardienne du savoir. (Note de la traductrice : le titre de l\u2019\u0153uvre, Women\u2019s Count<\/em>, <\/em>propose un jeu de mot intraduisible : la pratique d\u2019illustrer un \u00e9v\u00e9nement sur une peau s\u2019appelle Winter count<\/em> et le d\u00e9pouillement des votes se dit count<\/em> en anglais)<\/p>\n\n\n\n

La deuxi\u00e8me murale, Barrier Breakers <\/em>(D\u00e9molir les obstacles<\/em>), est une \u0153uvre num\u00e9rique \u00e0 teneur comique qui illustre comment le monde per\u00e7oit les jeunes femmes autochtones\u00a0: en noir et blanc et sans aspirations \u2014 mais la r\u00e9alit\u00e9 augment\u00e9e pr\u00e9sente un mur de brique qui doit \u00eatre d\u00e9moli pour qu\u2019on puisse voir leur vrai potentiel sur le march\u00e9 du travail.

La troisi\u00e8me murale, Vulnerable to Valuable (De vuln\u00e9rable \u00e0 valable)<\/em>, pr\u00e9sente trois jupes \u00e0 rubans. Dans la premi\u00e8re, on voit l\u2019autoroute de larmes dans laquelle de nombreuses femmes autochtones sont disparues. La deuxi\u00e8me, la plus grande, illustre toutes les mains rouges qui se sont lev\u00e9es pour attirer l\u2019attention sur la situation, militantisme qui se d\u00e9m\u00e8ne pour honorer ces femmes et pour que les choses changent. La derni\u00e8re, la plus petite, repr\u00e9sente le buffle, symbole de jeunes femmes fi\u00e8res de leur culture qui n\u2019ont plus \u00e0 revendiquer ni \u00e0 s\u2019inqui\u00e9ter au sujet de la violence.

Ces trois murales forment une s\u00e9rie intitul\u00e9e Indigenous Women’s Augmented Mural Series<\/em> (Femmes autochtones augment\u00e9es<\/em>). Elles sont pr\u00e9sentement expos\u00e9es \u00e0 Calgary dans le quartier g\u00e9n\u00e9ral de la police, les locaux de l\u2019organisme Inn From the Cold et l\u2019\u00e9cole secondaire Forest Lawn.

On peut voir les murales et les composantes de r\u00e9alit\u00e9 augment\u00e9e en suivant le lien suivant\u00a0: https:\/\/usay.ca\/augmented-reality\/<\/u><\/a>\u00ab\u00a0<\/p>\n\n\n\n

– soumis par LeeAnne Ireland<\/em><\/p>\n\n\n\n

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R\u00e9silience remarquable <\/h2>\n\n\n\n

Collectif This Way Up<\/a><\/strong><\/p>\n\n\n\n

\u00ab\u00a0Le collectif This Way Up a \u00e9t\u00e9 fond\u00e9 pendant la pand\u00e9mie par des artistes \u00e9mergents et des jeunes itin\u00e9rants de couleur appartenant \u00e0 la communaut\u00e9 queer et trans (QTBIPOC). L\u2019intention originale \u00e9tait de venir en aide, par l\u2019entremise de la cr\u00e9ativit\u00e9, aux jeunes QTBIPOC fr\u00e9quentant les refuges de Toronto ou vivant dans d\u2019autres habitations pr\u00e9caires. \u00c9tant donn\u00e9 que toutes les personnes membres du collectif ont d\u00e9j\u00e0 utilis\u00e9 le syst\u00e8me des refuges ou le fr\u00e9quentent pr\u00e9sentement, elles ont d\u00e9termin\u00e9 que ce serait le meilleur endroit pour elles o\u00f9 intervenir. En cours de route, elles ont \u00e9largi leur mission pour rejoindre \u00e9galement les enfants, les adolescents et les adultes sans domicile fixe tout en accordant la priorit\u00e9 aux personnes noires, autochtones ou de couleur s\u2019identifiant comme faisant partie de la communaut\u00e9\u00a0LGBTQIA2S+.<\/p>\n\n\n\n

Pour le collectif This Way Up, il a \u00e9t\u00e9 tr\u00e8s important de consulter les personnes qu\u2019il cherchait \u00e0 aider pour s\u2019assurer de le faire dans la collaboration, d\u2019une mani\u00e8re appropri\u00e9e et productive. En r\u00e9ponse \u00e0 la pand\u00e9mie, il a collabor\u00e9 avec le Toronto Encampment Support Network (ESN) afin d\u2019offrir plus de 2000 repas chauds hebdomadaires ainsi que des activit\u00e9s artistiques aux r\u00e9sidents de campements. This Way Up a notamment propos\u00e9 en continu des cercles cr\u00e9atifs anim\u00e9s par les participants (en fournissant gratuitement le mat\u00e9riel de dessin, de peinture, de cr\u00e9ation avec des perles et de tatouage au henn\u00e9) ainsi que des espaces de soutien et de partage des savoirs. Ce collectif de jeunes a ainsi d\u00e9cid\u00e9 d\u2019offrir des ressources \u00e0 une population parmi les plus vuln\u00e9rables de Toronto pendant une p\u00e9riode o\u00f9 il \u00e9tait tr\u00e8s risqu\u00e9 de se rassembler, et de le faire par l\u2019entremise de la cr\u00e9ativit\u00e9 : en pr\u00e9parant de beaux repas fra\u00eechement cuisin\u00e9s et cr\u00e9ant des espaces d\u2019expression artistique, les membres de This Way Up affirment que cette derni\u00e8re est un droit humain fondamental tout comme la s\u00e9curit\u00e9 alimentaire et le logement. Le collectif a l\u2019intention de continuer son travail pendant l\u2019hiver et de se relier aux mouvements de justice sociale torontois.<\/p>\n\n\n\n

Les membres du collectif incarnent une grande r\u00e9silience en tant qu\u2019artistes de la marge qui ont l\u2019exp\u00e9rience de l\u2019itin\u00e9rance et qui transforment leur situation gr\u00e2ce \u00e0 la cr\u00e9ation artistique. Le fait que ces personnes pauvres, racis\u00e9es et queers se rassemblent et s\u2019organisent, m\u00eame dans un contexte inimaginable et malgr\u00e9 les risques encourus, t\u00e9moigne aussi de leur r\u00e9silience, tout comme l\u2019insistance avec laquelle elles revendiquent l\u2019acc\u00e8s \u00e0 l\u2019art, maintenant plus que jamais.<\/p>\n\n\n\n

https:\/\/www.thiswayup.ca\/<\/u><\/a>
https:\/\/www.facebook.com\/ThisWayUpCollective\/<\/u><\/a>
https:\/\/www.instagram.com\/thiswayupcollective\/<\/u><\/a>
https:\/\/nowtoronto.com\/food-and-drink\/toronto-food-banks-winter-challenges-2020<\/u><\/a>\u00ab\u00a0<\/p>\n\n\n\n

– soumis par le collectif This Way Up<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

(La version fran\u00e7aise suivra) We are pleased to announce the recipients ofArtBridges’ Sixth Annual Recognition Awards!The awards highlight remarkable work in community-engaged arts in Canada in three categories: Innovation! Resiliency! and Creativity! The awards process: In late 2020, we put out a call for community-engaged arts initiatives, community partners, and ArtBridges Member<\/p>\n

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